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Popular Tenor and Actor JACQUES ROTTER recorded under different names for different labelsJakob Lautterstein aka Jaques Rotter, Hans Rotter, Jack Rotter, Jakob (Jacques) Lauterstein, Jakob Lautterstein[1], Stefan Putzi-Plattner, C. Seidl[ in two selections pre-W War I Berlin Hit songs from the Operetta The Movie PrincessJACQUES ROTTERColumbia (E1852)Jean Gilbert Operette "Die Kinokönigin" 1913 (Okonkowski-Freund/Gilbert)LIEBLICHE KLEINE DINGERCHEN.IN DER NACHT WENN DIE LIEBE ERWACHT (Okonkowski-Freund/Gilbert)with guitar, uncredited duet on Nacht, recorded by Columbia Vienna NEW PROCESS Superb US Columbia from German Master 10" 78 rpm record Condition: EXCELLENT PRISTINE , plays EXCEPTIONALLY quiet A CHOICE COPY Jacques Rotter (* 21. November 1878 in Lemberg (Galizien); † 11. April 1972 in Wien; auch Jaques Rotter, Hans Rotter, Jack Rotter, Jakob (Jacques) Lauterstein, Jakob Lautterstein[1], Stefan Putzi-Plattner, C. Seidl[2]) Was an Austrian tenor. Rotter was born on 21 November 1878 as Jakob Lautterstein in Lviv / Galicia (now Lwów / Lviv, Ukraine) but grew up in the Hungarian Sopron and went to school in Vienna. There, in the choir of the Carl-Theater, began his singing career before he was also entrusted with smaller soloistic tasks. After a performance as a lyrical tenor, with whom he could record great success, he went on tournée: in 1911 he sang in Budapest, and in Dresden in 1912. [3] The First World War interrupted [4] Rotter's artistic career; He had to enter, and was able to continue his journey as a conversation singer only after the military service had been completed. In 1922 Samuel Schöngut took him to his "establishment Ronacher", a large Viennese vaudeville theater. In 1924 he sang in the Mary Bar, Vienna 1, Johannesgasse 37 [5]. In 1928, the popular Viennese Liedersänger, together with Soubrette Charlotte Waldow, enjoyed the Café Sachergarten, Helenental. [6] He also successfully worked as an entrepreneur in the gastronomy: he opened a restaurant at Elisabethstraße 4 in Vienna, which he ran until 1929. In this year, he opened his "Rotter Opern-Bar" at Goldschmiedgasse 7 [7], which was to become a meeting place for the artists' celebrities in Vienna. From Robert Stolz and Richard Tauber to Joséphine Baker, they all went to the exclusive amusement park where the Chéf sang. [8] After the entry of Hitler's troops in Austria in 1938, Rotter fled before the now intensified persecution of political and racially unwarranted to Paris. Together with other colleagues who had fled, such as Oskar Karlweis and Karl Farkas, he appeared there in the cabaret of the "L'Impératrice", which also became an artist, but this time for the emigrants who had fled to France from Austria and the "Reich" ] On 10 January 1943, he was arrested in Lyon by the Gestapo and held until 18 January. From 19 January to 15 November 1943 he was trapped in a working camp near Lyon. It was not until 16 November that he could flee with a comrade. The occupation of France by the German military power, he submerged, fell into hiding. After two months, with fake papers, he managed to go back to Paris, where he waited for the liberation. It was not until spring 1946 that he was able to return to Vienna. [10] There he again took over his place, which had been passed on by his wife and his daughter. His guests now included American, British, French, and Russian officers instead of the Viennese operetta celebrities. But his vocal performances are becoming ever rarer [11]. Rotter gradually withdraws himself from the business of skiing. He died in Vienna on April 11, 1972. [12] Work [Edit | Edit Source Code]In the first half of the 20th century, Jacques Rotter enjoyed great popularity in the German-speaking world. This was due to his versatility, for he also sang light classical songs, songs from operetta [13] and cabaret [14], folkloric music as well as Viennese songs [15] and current Tagesschlager. In the case of both the pop and the cabaret, he was able to rely on first-rate composers: Fritz Loewy and Loehner alias Beda, Peter Herz, Hermann Leopoldi, Arthur Rebner, Willy Rosen, Fritz Rotter and Theodor Waldau alias Wauwau. A special specialty of Rotter was his erotic chansons [16], in which he met his own, intimate tone, accompanied only with piano or piano and violin. The up-and-coming record industry could of course use such a versatile singer, which is why Rotter became one of the most active and successful artists of this new medium in Austria. Already in 1912, he danced alongside his usual European-influenced repertoire also to new American music forms and sang, for example, Ragtime songs [18] like Max Hoffmann's "Zamona" [19] on the gramophone record. Rotter was not contractually bound to any particular company. Thus, 78rpm shellac recordings are handed over by him to the most diverse labels: Favorite, Zonophone and Columbia until the middle of the 1920s, then with the Gramophone / HMV and their German and Austrian subsidiary companies Electrola and Gramola, with Ultraphon as well as with the Lindström brands Odeon and Parlophon / Beka. Even on smaller brands such as the Austrian flex plate Novaphon, he was still to be heard after 1930. Pressures of HMV matrices on American "Victor" panels [20] even contributed to its glory overseas. Tondokumente (Auswahl) als Jacques Rotter: CHARM nennt 8 Titel von Rotter/Zilzer[19], DISMARC 55 Titel [20] Favorite 1-25 129 (3003-f-) Nur du allein weißt nicht, was Liebe ist. Lied (o. Komp.) / 1-25 130 (3004-f-) Ich träumte erst jüngst einen lieblichen Traum. Lied a.d.Optte „Der liebe Schatz“ (o. Komp., = Heinrich Reinhardt) gesungen von Jacques Rotter, Tenor, Wien Favorite 1-25 027 x (4972-t-) Was die Glocke vom Stefansturm erzählt (Theodor Wottitz) gesungen von Jacques Rotter mit Orchesterbegleitung, Wien. Favorite 1-29 259 (2477-t-) Goldfischlied (Monckton & Flynn) a.d.Optte „Miss Gibbs“ gesungen von Frl. Burg und Jaques Rotter mit Orchesterbegleitung, Wien. Favorite 1-29 261 (2479-t-) Hupf' mein Mäderl (Monckton & Flynn) a.d.Optte „Miss Gibbs“ gesungen von Frl. Burg und Jaques Rotter mit Orchesterbegleitung, Wien. Columbia D-7514 (68 458) Jai, Mamám, a.d.Optte „Die Csárdásfürstin“ (Kálmán Imre), gesungen von Jacques Rotter mit Berkes-Orchester. Wien ca. 1919 (Bei dieser Aufnahme wurde Rotter von dem berühmten ungarischen Zigeunerprimás Berkes Béla und seinem Orchester begleitet.) Columbia D-16 120 (74 432) Servus du! Lied (Rob. Stolz, Text v. Benno Vigny) Columbia D-16 127 (74 446) Ein Wiener Walzer (Ich weiß auf der Wieden …) (Ralph Benatzky) Odeon O-1144 / (A 44 806) (Ve 1143) Komm Zigány! Lied a.d.Optte „Gräfin Mariza“ (Kálmán) / (A 44 807) (Ve 1144) Grüß mir mein Wien! Lied a. dto. v. dto. – mit Zigeunerkapelle. Odeon A 44 809 (Ve 1167) Gut, gut, gut! Couplet (O. Steiner) Odeon A 44 823 (Ve 1182) Der Bobby Cohn is’ kein Verkehr für dich ! Couplet (A. Egen) Electrola E.G.402 (Bw 652) Mylady. Paso doble a.d.Revue „Wien lacht wieder“ (R.Benatzky, K.Fárkás, F.Grünbaum) / (Bw 657) Ein bißchen Feuer. Lied u. Tango (v. dto.)[25] Electrola E.G.405 (Bw 658) In Nischni Nowgorod (Rich. Fall, Text v. Beda) /(Bw 664) Heimweh (Always)(Irving Berlin, dt.Text: Beda) – mit Orchester. HMV 942 885 (Bk 2997-II) Die schönsten Augen hat meine Frau. Lied u. Tango (R. Erwin & F. Rotter) / (Bk 3003-I) Ich hätte dich so gerne noch einmal geseh'n. Lied u. Tango (Willy Engel-Berger, Text v. W. Sterk) mit Dol Dauber, Violin-Solo. HMV A.M.212 (BT 1773-2) Die Balalajka hat mich singend oft gewarnt. Lied a.d.Optte „Der Orlow“ (Bruno Granichstaedten) / (BT 1775-2) Zigarettenlied (Da nehm ich meine kleine Zigarette), aus dto. HMV A.M.1563 (Bw 1848-2) Gnädige Frau, Sie müssen mir gestatten. Lied a.d.Optte „Messalinettchen“ (Walter Bromme, Text: Richard Bars und Pordes Milo) / (Bw 1849-2) Wenn ich dich mein Eigen nennen könnte. Lied (A. Rubinstein, Text v. Mme. Lou Soifer) mit Anton Zilzer, Klavier, und Dol Dauber, Violine. HMV A.M.1613 (Bm 543-1) Ein armes Mädi. Lied u. Slow Fox (Stephan Weiss, Text: F. Rotter) / (Bm 544-2) Eine kleine Liebelei. Lied u.Valse boston (Harry Ralton, Text: F. Rotter) Jacques Rotter – am Klavier Anton Zilzer. Polydor 24 027 (mx. 3873 BD) Ich pfeife meinem Mädel ein kleines Liedel vor. Foxtrot (Paul Mann & Peter Herz) Jazz-Orchester Ernst Holzer, Refraingesang: Jacques Rotter. Wien 1931. Polydor 24 027 (mx. 3780 1/2 BD) Der Student geht vorbei (Ibanez-Chiappo) Jazz-Orchester Ernst Holzer, Refraingesang: Jacques Rotter. Wien 1931. Polydor 24 028 (mx. 3782 BD) Karlsbader Sprudel-Fox (H. Leopoldi) Jazz-Orchester Ernst Holzer, Refraingesang Jacques Rotter, Wien – Mechan. Copt. 1931 [21] als Hans Rotter: Überlandpartie (H. Leopoldi) Hans Rotter, Gesang, mit Orchester Isy Geiger. Novaphon (österr. Flexibel-Schallplatte aus Cellon) – Wien 1932 (Video auf YouTube) Karlsbader Sprudel-Fox (H. Leopoldi) Hans Rotter, Gesang, mit Orchester Isy Geiger. (Video auf YouTube) Novaphon (österr. Flexibel-Schallplatte aus Cellon) – Wien 1932 als „C. Seidl, Wiener Liedersänger“ auf Zonophone vor 1914: DISMARC [22] nennt 4 Titel für C. Seidl. Wir tanzen Ringelreih’n. Duett aus der Operette „Die Dollarprinzessin“ (mit Orchester) gesungen von Anny Prastorfer und C. Seidl [= Jacques Rotter?] WIEN. Zonophone Record X-24286 (mx. 12 014 u) Wien, Ende 1907 Im Wax: 12 014 u, X 24286 V, Z . Die Adi, die Ida, der Edi. Duett aus „Es gibt nur a Kaiserstadt“ (mit Orchester) gesungen von Anny Prastorfer und C. Seidl [= Jacques Rotter?] WIEN Zonophone Record X-24287 (Mx. 12 015 u) Wien, Ende 1907 Im Wax: 12015u, X 24287 III, Z . Louise du bist blass (Haupt) gesungen von C. Seidl [= Jacques Rotter?], Wiener Liedersänger, Tenor mit Orchester WIEN. Zonophone Record X-22695 (mx.12 017 u) – Wien 1907 Im Wax: 12 017 u, X 22695 II, Z . Auch auf Grammophon 10 813 Weibi, Weibi sei doch nicht so hart (Haupt), gesungen von C. Seidl [= Jacques Rotter?], Wiener Liedersänger, Tenor mit Orchester WIEN. Zonophone Record X-22696 (mx. 12 020 u) – Wien 1907, Im Wax: 12 020 u, X 22696 II, Z . Auch auf Grammophon 10 813 als “Stefan Putz(i)-Plattner” auf Favorite nach 1918: DISMARC [23] nennt 7 Titel für Stefan Putzi-Plattner. Ich hab ein Rendez-vous (Willy Engel-Berger, Text von Arthur Rebner) Stefan Putzi-Plattner, mit Salonorchester Eduard Hladisch. Favorite Record 1-178 (mx. 117) – Wien 1920 Ich hab ein Rendez-vous (Willy Engel-Berger, Text von Arthur Rebner) Stefan Putzi-Plattner, mit Salonorchester Eduard Hladisch. Favorite Record 1-178 (mx. 117) – Wien 1920 Im Hotel zur Nachtigall. Lied und Foxtrot (Stefan Weiss, Text von Zdenko Schick und Rudolf Eisner) Stefan Putzi-Plattner, mit Salonorchester Eduard Hladisch. Favorite Record 1-177 (mx. 115) – Wien 1920 Im Hotel zur Nachtigall. Lied und Foxtrot (Stefan Weiss, Text von Zdenko Schick und Rudolf Eisner) Stefan Putzi-Plattner, mit Salonorchester Eduard Hladisch. Favorite Record 1-177 (mx. 115) – Wien 1920 Die Peruanerin. Onestep (Text: O.A.Alberts, Musik: Rudolf Nelson). Stefan Putzi-Plattner mit Chor. Begleitung: Kapelle Robert Hügel, Wien. Favorite 1-027 299 (Mx.-No.: 16070), aufg. Wien, Anfang / Mitte 1921 (Video auf YouTube) More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution
Price: 74.99 USD
Location: San Francisco, California
End Time: 2024-12-15T23:27:10.000Z
Shipping Cost: 7.49 USD
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Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, JACQUES ROTTER
Format: Record
Release Title: Jean Gilbert "Die Kinokönigin" LIEBLICHE KLEINE DINGERCHEN/ IN DE
Material: Shellac
Genre: Classical, Opera, Soundtracks & Musicals, World Music
Record Label: Columbia
Record Size: 10"
Style: Aria, Brass, Ceremonial, Chanson, Comedy/Novelty Music, Europop, Film Score/Soundtrack, Germany & Austria, Gypsy, Gypsy Jazz, Jazz Instrument, Jewish, Lied, Marching, Music Hall, Musical/Original Cast, National Anthem/Patriotic, Netherlands, Radio Play/Show, Scandinavia, Schlager, Vocal, Vocal Jazz, Anthem, Cabaret/Vaudeville, Christmas, Documentary, Jewish & Yiddish, Opera, Switzerland
Speed: 78 RPM
Language: Dutch, German
Catalog Number: E1852, E 1852, E-1852
